Chris and Alex continue their journey back through the Fantasy/Animation podcast with this reminder of an early episode looking at the Disney animated musical Aladdin (Ron Clements & John Musker, 1992), which featured as its special guest Steve Henderson - Editor of the Skwigly Online Animation Magazine and Director of the Manchester Animation Festival.
Read MoreThe Fantasy/Animation podcast is soon to break for the summer, but not before a few more episodes to round off the series - this time, it is the “Arabian fantasy” The Thief of Bagdad (Michael Powell, Ludwig Berger & Tim Whelan, 1940) that provides the focus for Episode 142, as Chris and Alex try to make sense of its story and style drawn from the “One Thousand and One Nights” collection of Middle Eastern folktales and its reproduction of Orientialist imaginaries and iconographies.
Read MoreEpisode 101 confronts the animated representation of disease and illness via Warner Brothers’ 2001 cel-animated/live-action hybrid Osmosis Jones (Bobby Farrelly, Peter Farrelly, Piet Kroon & Tom Sito, 2001), which tells the story of a white blood cell policeman who joins together with a cold pill to stop a deadly virus from destroying their human host.
Read MoreTuck in for some Valentine’s Day spaghetti and meatballs as Chris and Alex chew on Walt Disney’s celebrated cel-animated love story Lady and the Tramp (Clyde Geronimi, Wilfred Jackson & Hamilton Luske, 1955), a musical romance released in the mid-1950s and based on the 1945 Cosmopolitan magazine story “Happy Dan, The Cynical Dog” by Ward Greene. The studio’s first CinemaScope release and a film that coincided with the opening of Disneyland in California, Lady and Tramp is rife with context and offers a number of threads that speak to the landscape of Disney animation in the 1950s.
Read More2022 kicks off with the provocative politics and violent tragedies of See You Yesterday (2019), the Netflix science-fiction feature about the time-travel adventures of two young scientific prodigies in Brooklyn. The special guest for this discussion on the stakes of temporality, the futility of breaking out of a cycle, and the immediacy of racialised trauma is Dr Ebony Elizabeth Thomas, Associate Professor in the Division of Literacy, Culture, and International Education (University of Pennsylvania Graduate School of Education).
Read MoreEpisode 85 discusses the recent HBO horror television series Lovecraft Country (2020), developed by Misha Green as a continuation of Matt Ruff’s 2016 novel, and places the story of 1950s racial segregation in the United States on a collision course with the science-fiction world of H.P. Lovecraft. Joining Chris and Alex for this latest episode is Dr Bambi Haggins, Associate Professor in the Department of Film and Media Studies at UC Irvine whose work explores race, class, gender and sexuality in American comedy across media and television history. She is also the author of Laughing Mad: The Black Comic Persona in Post-Soul America (2007), while her current book project, Still Laughing, Still Black examines how Black comedy, culture and reception in the new millennium reflect, refract and reveal the necessity and the power of Black comic discourse and survival laughter since 2008.
Read MoreThe spectacular animated world of U.S. filmmaker Don Bluth is the focus of Episode 82, with Chris and Alex journeying to the Great Valley for this discussion of The Land Before Time (Don Bluth, 1988). Joining them is Dr Mark Witton, vertebrate palaeontologist and palaeoartist (based at the University of Portsmouth), who is best known for his scientific research and illustrations around the habits and behaviors of pterosaurs, as well as his consultancy work with museums and on the BBC television series Walking with Dinosaurs (1999) and Planet Dinosaur (2011).
Read MoreThe politics and proxies of James Cameron’s 2009 blockbuster Avatar provide the focus for Chris and Alex in Episode 76, as they plug into Pandora to make sense of the relationships between the film’s ecological sensibilities and its technological prowess. Joining them is Rupert Read, Associate Professor of Philosophy at the University of East Anglia who specialises in everything from the philosophy of Ludwig Wittgenstein to the contemporary climate crisis. Rupert was also a spokesperson for Extinction Rebellion (authoring the 2020 book Extinction Rebellion: Insights from the Inside), and was a Green Party councillor from 2004-2011 (having stood for both national parliamentary and European elections).
Read MoreChris and Alex take to the basketball court for a sports-themed instalment of the podcast by looking at Space Jam (Joe Pytka, 1996), the part-animated, part-Michael Jordan sports comedy that has lots to say about the spectacle of stylistic hybridity, animation’s longstanding relationship to sport, and nostalgia via its many callbacks to Golden Age Hollywood cartooning all through the lens of NBA basketball. Joining them for Episode 70 is Professor Paul Wells, who is Director of the Animation Academy at Loughborough University, as well as being an internationally established scholar, screenwriter and director, working across and within both academia and industry contexts.
Read MoreEpisode 66 is a real toe-tapper, as Chris and Alex dance to the beat of George Miller’s 2006 computer-animated musical feature Happy Feet (George Miller, 2006), produced by U.S. studio Village Roadshow Pictures in collaboration with Australian animation and VFX studio Animal Logic. Joining them to discuss this digital tale of all-singing all-dancing penguins is Dr Hannah Hamad, Senior Lecturer in Media and Communication at Cardiff University’s School of Journalism, Media and Culture, having previously been Lecturer in Film Studies at King’s College London, and Senior Lecturer in Media Studies at the University of East Anglia.
Read MoreThe names Bond…James Bond in Episodes 61 and 62, as Chris and Alex tackle the official Eon James Bond 007 film series by casting their eyes over a longstanding staple of the franchise - the celebrated credits sequences. Beginning with Dr. No (Terence Young, 1962) and culminating in Spectre (Sam Mendes, 2015), listen as they place in rank order their ‘Top 24’ title sequences, judging their audiovisual spectacle, structural elements and broader connections to traditions in animated fantasy (Part 1 focuses on Bond films #24 to #13, while Part 2 counts down from #12 to their #1 ranked 007 title sequence). Joining them for this extended double-header is Dr Ed Lamberti, an independent researcher in Film Studies who has been a teaching assistant at King's College London, a screenwriting mentor at the London Film School, and who is currently Policy Manager at the British Board of Film Classification (BBFC).
Read MoreChris and Alex return to the work of the Fleischer studios for episode 29, following up their discussion of Gulliver’s Travels with Mr. Bug Goes to Town (Dave Fleischer, 1941), similar in concept and design to its predecessor and loosely inspired by Belgian poet Maurice Maeterlinck's book The Life of the Bee (1901). The second (and final) cel-animated feature film produced by the Fleischers, Mr. Bug Goes to Town negotiates the conflict between an insect community and the threatening human world, all framed by an environmental narrative of modernisation, redevelopment and urban sprawl.
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