The latest archive instalment takes Chris and Alex back to January 2020, and their first live episode recorded in front of an audience of animated fantasy fans in attendance at the Fantasy/Animation screening series in collaboration with the Cinema Museum in Kennington, London. Joining the Q&A to discuss The Adventures of Prince Achmed (Lotte Reiniger, 1926) was special guest Dr Caroline Ruddell (Brunel University London), an expert on Lotte Reiniger who has published work on the filmmaker in Fantasy/Animation: Connections Between Media, Mediums and Genres (2018), and the recent anthology The Crafty Animator: Handmade, Craft-based Animation and Cultural Value (2019).
Read MoreSpecial guest Dr Omar Sayfo joins Chris and Alex for Episode 119 of the podcast, which features a rundown of Arab Animation covering a range of cartoons from Egypt, Iraq, and the United Arab Emirates, alongside a discussion of Omar’s recent book Arab Animation: Images of Identity (2021). Omar is an Affiliated Researcher in the Institute for Cultural Inquiry (ICON) at Utrecht University, and a researcher at the Avicenna Institute of Middle Eastern Studies, who has published articles in animation: an interdisciplinary journal, Media Industries Journal and The Journal of Popular Culture, as well as chapters in a number of edited collections.
Read MoreFor this brief survey of the politics and pleasures of Czech animation, Alex and Chris are joined by special guest Dr Adam Whybray, who lectures in Film Studies at the University of Suffolk and who is also the author of The Art of Czech Animation: A History of Political Dissent and Allegory (London: Bloomsbury, 2020).
Read MoreChris and Alex take their first visit to the Japanese kaiju genre for Episode 102 of the podcast thanks to Toho studio’s 1961 feature Mothra (Ishirō Honda, 1961), a film that kickstarted the longstanding Mothra monster movie franchise.
Read MoreFor Episode 87, Chris and Alex are joined by special guest Dr Yuanyuan Chen, who teaches animation history and theory at Ulster University, for this brief introduction to Chinese animation and the work of the pioneering Shanghai Animation Film Studio. From propagandist impulses and opera traditions to Chinese state politics and painterly aesthetic styles, the complex history of Chinese animation and its more recent iterations are reflected in this cross-section of contemporary examples, which all serve to highlight the creativity of the Shanghai Animation Film Studio and its influential filmmakers.
Read MoreEpisode 85 discusses the recent HBO horror television series Lovecraft Country (2020), developed by Misha Green as a continuation of Matt Ruff’s 2016 novel, and places the story of 1950s racial segregation in the United States on a collision course with the science-fiction world of H.P. Lovecraft. Joining Chris and Alex for this latest episode is Dr Bambi Haggins, Associate Professor in the Department of Film and Media Studies at UC Irvine whose work explores race, class, gender and sexuality in American comedy across media and television history. She is also the author of Laughing Mad: The Black Comic Persona in Post-Soul America (2007), while her current book project, Still Laughing, Still Black examines how Black comedy, culture and reception in the new millennium reflect, refract and reveal the necessity and the power of Black comic discourse and survival laughter since 2008.
Read MoreChris and Alex continue their discussions of Studio Ghibli for Episode 72 with a look at animated war feature Grave of the Fireflies (Isao Takahata, 1988), a film that was initially released as a double bill with partner My Neighbor Totoro (Hayao Miyazaki, 1988). Telling the story of teenage boy Seita and his younger sister Setsuko who, after fleeing the city of Kobe, must navigate the public horrors and personal traumas of World War II, Grave of the Fireflies offers a graphic and emotional portrait of conflict and society through the isolation and struggle experienced by the siblings. Joining the podcast this week to discuss the film’s potent political message is Alex Dudok de Wit, Associate Editor at Cartoon Brew, freelance journalist (including work for the BFI/Sight and Sound) and author of the upcoming BFI Film Classic on Grave of the Fireflies (London: Bloomsbury, 2021).
Read MoreEpisode 24 takes a walk through the terrain of animated documentary, with Chris and Alex joined by Dr Bella Honess Roe (Senior Lecturer and Programme Director for Film Studies, University of Surrey) to discuss the relationship between truth, authenticity and animation in Waltz with Bashir (Ari Folman, 2008). Documenting his own personalised account of the Lebanon war, Folman’s feature film provides a useful test case to think about how fantasy and animation might be applied within a non-fiction context.
Read MoreFar from being unlucky, episode 13 offers listeners a bumper line-up as Chris and Alex are joined by special guest Jez Stewart - curator at the BFI National Archive and expert on British animation history - to talk about Animal Farm (John Halas & Joy Batchelor, 1954). Taking on this celebrated animated adaptation of George Orwell’s popular novel, they discuss the production history of Britain’s first animated feature film and the vital role of archival material, alongside broader questions of cartoonal allegory via the narrative’s heavy politicised visions of anthropomorphic left-wing uprising.
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