Professor Yvonne Tasker is the very special guest for Episode 140 of the podcast, joining Chris and Alex for this discussion of action spectacle and the gendered body in science-fiction sequel Terminator 2: Judgment Day (James Cameron, 1991).
Read MoreThe Fantasy/Animation podcast finally tackles the seminal Toy Story (John Lasseter, 1995), with Episode 138 looking at Pixar’s computer-animated feature and the film that transformed animation in Hollywood - and beyond - into a digital medium. Joining Chris and Alex to examine Toy Story’s computerised production and the pleasures of its pristine visual illusionism is Dr Lucy Fife Donaldson, Senior Lecturer in Film Studies at the University of St Andrews, whose work focuses on film and television style, audiovisual design and 'below-the-line' labour, performance and the body, and videographic criticism.
Read MoreEpisode 137 appropriately begins at the end of the commercially and critically successful Indiana Jones franchise with this discussion of the fifth and final feature Indiana Jones and the Dial of Destiny (James Mangold, 2023) featuring special guest Dr Sarah Thomas. Sarah is Senior Lecturer in Communication and Media in the School of Arts, whose research expertise centres on stardom/celebrity, media industries, and screen performance in Hollywood and transnational cinemas.
Read MoreThe author of Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023), Dr. Peter Kunze (Tulane University), is the special guest for Episode 136 of the podcast which looks at the impact of Walt Disney’s Beauty and the Beast (Gary Trousdale & Kirk Wise, 1991) and both the industrial and stylistic stakes of the film’s adoption of a Broadway style of musical arrangement.
Read MoreChris and Alex conclude their journey through Middle-Earth with this episode on the third and final entry into Peter Jackson’s Lord of the Rings trilogy - The Return of the King (Peter Jackson, 2003) - where they reflect on the stylistic influence and cultural legacy of the franchise since its culmination over twenty years ago.
Read MoreSpecial guest Janet Harbord, Professor of Film Studies at Queen Mary, joins Chris and Alex to discuss the intersections between fantasy, animation, and autism in this examination of documentary Life, Animated (Roger Ross Williams, 2016), a film that reflects on the value and fantasies of animated media at the same time as it navigates and represents autistic apprehensions of the world.
Read More2024 kicks off with this episode on The Dark Crystal (Jim Henson & Frank Oz, 1982), recorded at the British Library with Tanya Kirk, Lead Curator of Printed Heritage Collections 1601–1900, and one of the organisers and curators of the Fantasy: Realms of Imagination exhibition that runs at the library until February of this year.
Read MoreEpisode 129 sees Chris flying solo as part of a conversation recorded live at the recent Once Upon A Time: A Disney Day held at the British Film Institute in London back in July, which was part of the Making Magic: 100 Years of Disney two-month season that ran throughout 2023. Discussing the Disney studio’s longstanding relationship to technological innovation is returning special guest Chris McKenna, current Head of Creative Operations at the VFX studio Moving Picture Company, who featured on the earlier Dumbo (Tim Burton, 2019) episode of the podcast.
Read MoreChris and Alex return from their extended summer break with this discussion of the much-maligned musical Cats (Tom Hooper, 2019), a film whose reputation as a big-budget misjudgment has perhaps overwhelmed the intricacies of its uncanny constitution, and in particular how the narrative’s negotiation of its A-list performers speaks to the vexed question of actorly labour and agency in an age of heightened visual effects production.
Read MoreThe Truman Show (Peter Weir, 1998) meets They Live (John Carpenter, 1988) in Shawn Levy’s science-fiction comedy Free Guy (2021), which marks the director’s first collaboration with charming Canadian Ryan Reynolds and is a film that confronts head-on contemporary anxieties around technology, choice, security, and artificial intelligence. Joining Chris and Alex to separate out their NPCs from their AI engines is Mark Bould, Professor of Film and Literature at the University of West England, and author of a number of books on the aesthetics, politics and philosophy of science-fiction storytelling.
Read MoreThe MCU comes calling once again for Episode 122 of the podcast, as Chris and Alex navigate the complex web of storylines and superheroes that build the world of Spider-Man: No Way Home (Jon Watts, 2021). Joining them to reflect on the genre’s enduring appeal alongside the contemporary pleasures of Hollywood’s increasing multiversal madness is Dr Nick Jones, who is Senior Lecturer in Film, Television and Digital Culture at the University of York.
Read MoreChris and Alex delve into motion-capture, murder mystery, and monster houses for this discussion of Gil Kenan’s 2006 computer-animated film Monster House, a digital feature produced by the ImageMovers company founded by renowned filmmaker Robert Zemeckis and a specialist in animation utilising mo-cap technologies. Joining them for Episode 121 of the podcast is Dr Jane Batkin, an animation film theorist and Associate Professor in the School of Film, Media and Journalism at the University of Lincoln.
Read MoreNo sooner have Chris and Alex finished their examination of Harry Potter and the Chamber of Secrets (Chris Columbus, 2002) than they make a swift return to Hogwarts for the third (and best?) in the franchise, Harry Potter and the Prisoner of Azkaban (Alfonso Cuarón, 2004). Joining them in this instalment to separate their Leaky Cauldrons from their Time-Turners is very special guest Rhianna Dhillon, Film/TV critic and Presenter who has featured on BBC Radio One, Front Row, Sky News, and Channel 5, and is currently the film critic for BBC6Music and Radio 5 Live as well as regularly appearing on Kermode and Mayo's Take.
Read MoreWhomping willows, Ford Anglias, and so much more are covered in episode 117 of the podcast, which (better late than never!) returns to Hogwarts for the second instalment of the Harry Potter film franchise and an adaptation of the 1998 novel originally released back in November 2002. Joining Chris and Alex for a closer look at Harry Potter and the Chamber of Secrets (Chris Columbus, 2002) is Jyotsna Kapur, who is a Professor of Cinema and Media Studies at Southern Illinois University.
Read MoreFinally following up their podcast on The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001), Episode 116 has Chris and Alex picking up the story of Middle-earth with this instalment on the second film in the franchise, The Lord of the Rings: The Two Towers (Peter Jackson, 2002). Joining them is special guest Dr Daniel White, who is Senior Lecturer in Musicology in the Department of Music & Design Arts at the University of Huddersfield, and author of a number of publications looking at music in relation to worldbuilding and fantasy storytelling, including its role across the Lord of the Rings films.
Read MoreFor the first episode of 2023, Chris and Alex are back into the world of Disney Feature Animation, following up earlier discussions of The Emperor’s New Groove (Mark Dindal, 2000) and Treasure Planet (Ron Clements & John Musker, 2002) with Episode 111, which looks at the studio’s 2001 feature film Atlantis the Lost Empire (Gary Trousdale & Kirk Wise, 2001), a science-fiction adventure that draws inspiration from Jules Verne’s Twenty Thousand Leagues Under the Sea (1870).
Read MoreAlex fulfils something of a lifelong dream in Episode 109 in that he finally gets a chance to talk about the mythology and magic of Willow (Ron Howard, 1988) for the Fantasy/Animation podcast, albeit with Chris alongside him as relative novice to its world of prophecies, sorcery, and high fantasy storytelling.
Read MoreChris and Alex return after their belated summer hiatus with Episode 105 of the podcast, and a very special instalment that features them in conversation with renowned animation director, character designer, animator, and teacher Nancy Beiman, who has worked at a number of studios (from Steven Spielberg’s Amblin studio to the Walt Disney Company and Warner Brothers) as well as on feature films including A Goofy Movie (Kevin Lima, 1995), Hercules (Ron Clements & John Musker, 1997) and Treasure Planet (Ron Clements & John Musker, 2002).
Read MoreEpisode 101 confronts the animated representation of disease and illness via Warner Brothers’ 2001 cel-animated/live-action hybrid Osmosis Jones (Bobby Farrelly, Peter Farrelly, Piet Kroon & Tom Sito, 2001), which tells the story of a white blood cell policeman who joins together with a cold pill to stop a deadly virus from destroying their human host.
Read MoreTuck in for some Valentine’s Day spaghetti and meatballs as Chris and Alex chew on Walt Disney’s celebrated cel-animated love story Lady and the Tramp (Clyde Geronimi, Wilfred Jackson & Hamilton Luske, 1955), a musical romance released in the mid-1950s and based on the 1945 Cosmopolitan magazine story “Happy Dan, The Cynical Dog” by Ward Greene. The studio’s first CinemaScope release and a film that coincided with the opening of Disneyland in California, Lady and Tramp is rife with context and offers a number of threads that speak to the landscape of Disney animation in the 1950s.
Read More