REPRESENTATION — all episodes

Archive Episode - Ex Machina (Alex Garland, 2014) (with Andrew Whitehurst)

Chris and Alex welcomed Oscar-winning visual effects artist Andrew Whitehurst to the Fantasy/Animation podcast back in November 2019 for this reflection on the posthumanism of science-fiction parable Ex Machina (Alex Garland, 2014). Andrew kindly spoke with us about his role as Visual Effects Supervisor on the film (for which he received an Academy Award for Best Visual Effects in 2015), and navigated through Ex Machina’s technologised construction of bodies and the hybrid performance of humanoid robot Ava.

Archive Episode - Aladdin (Ron Clements & John Musker, 1992) (with Steve Henderson)

Chris and Alex continue their journey back through the Fantasy/Animation podcast with this reminder of an early episode looking at the Disney animated musical Aladdin (Ron Clements & John Musker, 1992), which featured as its special guest Steve Henderson - Editor of the Skwigly Online Animation Magazine and Director of the Manchester Animation Festival.

Episode 142 - The Thief of Bagdad (Michael Powell, Ludwig Berger & Tim Whelan, 1940)

The Fantasy/Animation podcast is soon to break for the summer, but not before a few more episodes to round off the series - this time, it is the “Arabian fantasy” The Thief of Bagdad (Michael Powell, Ludwig Berger & Tim Whelan, 1940) that provides the focus for Episode 142, as Chris and Alex try to make sense of its story and style drawn from the “One Thousand and One Nights” collection of Middle Eastern folktales and its reproduction of Orientialist imaginaries and iconographies.

PODCASTChristopher Holliday and Alexander SergeantJune 17, 2024GENDER, REPRESENTATION, RACE, ORIENTALISM, BRITISHComment

Episode 141 - Frozen (Chris Buck & Jennifer Lee, 2013) (with Eve Benhamou)

Episode 141 returns to the contemporary era of Disney Feature Animation with this discussion of the computer-animated musical blockbuster Frozen (Chris Buck & Jennifer Lee, 2013), a fairytale film of female empowerment that is widely credited with ushering in Disney’s Third Golden Age of animated features after the ‘Classic’ Disney period and earlier Disney Renaissance. The special guest for this instalment is Dr Eve Benhamou, teaching fellow in Film Studies at the University Paul-Valéry Montpellier 3, France who has previously taught at the Bristol School of Animation and Swansea University.

Episode 110 - The Snowman (Dianne Jackson, 1982) (with James Walters)

The 2022 Fantasy/Animation Christmas special is here, with Chris and Alex well and truly ‘walking in the air’ (!) for Episode 110 of the podcast as they wonder at the delights of The Snowman (Dianne Jackson, 1982), the 26-minute television special released on Channel 4 in the early 1980s and based on Raymond Briggs’ picture book.

PODCASTChristopher Holliday and Alexander SergeantDecember 12, 2022CHRISTMAS, DRAWING, REPRESENTATION, MOVEMENT, FANTASY, BRITISHComment

Episode 109 - Willow (Ron Howard, 1988)

Alex fulfils something of a lifelong dream in Episode 109 in that he finally gets a chance to talk about the mythology and magic of Willow (Ron Howard, 1988) for the Fantasy/Animation podcast, albeit with Chris alongside him as relative novice to its world of prophecies, sorcery, and high fantasy storytelling.

Episode 97 - Rogue One (Gareth Edwards, 2016) (with Jonathan Wroot)

Episode 97 of the podcast takes on the intergalactic conflicts and rebel alliances of Rogue One (Gareth Edwards, 2016), an anthology feature film and prequel to Star Wars (George Lucas, 1977) that tells the origin story of the ‘Rogue One’ starfighter squadron and the creation of the Death Star. Special guest for this episode is Dr Jonathan Wroot, who is Senior Lecturer and Programme Leader for Film Studies at the University of Greenwich.

Episode 76 - Avatar (James Cameron, 2009) (with Rupert Read)

The politics and proxies of James Cameron’s 2009 blockbuster Avatar provide the focus for Chris and Alex in Episode 76, as they plug into Pandora to make sense of the relationships between the film’s ecological sensibilities and its technological prowess. Joining them is Rupert Read, Associate Professor of Philosophy at the University of East Anglia who specialises in everything from the philosophy of Ludwig Wittgenstein to the contemporary climate crisis. Rupert was also a spokesperson for Extinction Rebellion (authoring the 2020 book Extinction Rebellion: Insights from the Inside), and was a Green Party councillor from 2004-2011 (having stood for both national parliamentary and European elections).

PODCASTChristopher Holliday and Alexander SergeantJune 21, 2021ECOLOGY, ENVIRONMENT, REPRESENTATION, RACE, VISUAL EFFECTS, CGIComment

Episode 70 - Space Jam (Joe Pytka, 1996) (with Paul Wells)

Chris and Alex take to the basketball court for a sports-themed instalment of the podcast by looking at Space Jam (Joe Pytka, 1996), the part-animated, part-Michael Jordan sports comedy that has lots to say about the spectacle of stylistic hybridity, animation’s longstanding relationship to sport, and nostalgia via its many callbacks to Golden Age Hollywood cartooning all through the lens of NBA basketball. Joining them for Episode 70 is Professor Paul Wells, who is Director of the Animation Academy at Loughborough University, as well as being an internationally established scholar, screenwriter and director, working across and within both academia and industry contexts.

PODCASTChristopher Holliday and Alexander SergeantMarch 29, 2021AMERICA, HYBRIDITY, BIOGRAPHY, SPORT, CULTURE, REPRESENTATION, RACEComment

Episode 61 and 62 - James Bond Title Sequences (1962-2015) (with Ed Lamberti)

The names Bond…James Bond in Episodes 61 and 62, as Chris and Alex tackle the official Eon James Bond 007 film series by casting their eyes over a longstanding staple of the franchise - the celebrated credits sequences. Beginning with Dr. No (Terence Young, 1962) and culminating in Spectre (Sam Mendes, 2015), listen as they place in rank order their ‘Top 24’ title sequences, judging their audiovisual spectacle, structural elements and broader connections to traditions in animated fantasy (Part 1 focuses on Bond films #24 to #13, while Part 2 counts down from #12 to their #1 ranked 007 title sequence). Joining them for this extended double-header is Dr Ed Lamberti, an independent researcher in Film Studies who has been a teaching assistant at King's College London, a screenwriting mentor at the London Film School, and who is currently Policy Manager at the British Board of Film Classification (BBFC).

PODCASTChristopher Holliday and Alexander SergeantNovember 23, 2020JAMES BOND, GRAPHIC DESIGN, BRITISH, MUSIC, SOUND, REPRESENTATION, FILM STYLE, GENDER, RACEComment