“The show prides itself on being the podcasting world’s number one authority on all things sculptured, painted, drawn and designed within the world of popular entertainment. This podcast delivers on its promise in spades. Not only is it well produced, the sheer level of expertise on offer is unrivalled. ”
As featured on Feedspot’s Top 10 “Best Animation History Podcasts”!
This year’s Halloween special of the podcast goes back to 1930s Hollywood with this look at Bride of Frankenstein (James Whale, 1935), the follow-up to Universal Pictures’ 1931 feature Frankenstein also directed by James Whale. To discuss the horror and humour of this most monstrous and macabre sequel, Chris and Alex are joined by special guest David Sandner, author and editor of multiple works on fantasy literature and a Professor at California State University.
Read MoreFor the third archive episode, Chris and Alex revisit a real bucket list moment by journeying back to July 2021 and the episode on Treasure Planet (Ron Clements & John Musker, 2002), which featured as its very special guests the film’s directors Ron Clements and John Musker.
Read MoreChris and Alex continue their journey back through the Fantasy/Animation podcast with this reminder of an early episode looking at the Disney animated musical Aladdin (Ron Clements & John Musker, 1992), which featured as its special guest Steve Henderson - Editor of the Skwigly Online Animation Magazine and Director of the Manchester Animation Festival.
Read MoreEpisode 139 marks something of a first as Chris and Alex play ‘The Fantasy Adventure Board Game’ Dungeons & Dragons originally created and designed by Gary Gygax and Dave Arneson in 1974, taking on its array of characters, weapons, and quests live during the podcast with special guest (and Dungeon Master) Dr Cat Mahoney, Derby Fellow in Communication and Media at the University of Liverpool.
Read MoreChris and Alex conclude their journey through Middle-Earth with this episode on the third and final entry into Peter Jackson’s Lord of the Rings trilogy - The Return of the King (Peter Jackson, 2003) - where they reflect on the stylistic influence and cultural legacy of the franchise since its culmination over twenty years ago.
Read MoreChris and Alex return from their extended summer break with this discussion of the much-maligned musical Cats (Tom Hooper, 2019), a film whose reputation as a big-budget misjudgment has perhaps overwhelmed the intricacies of its uncanny constitution, and in particular how the narrative’s negotiation of its A-list performers speaks to the vexed question of actorly labour and agency in an age of heightened visual effects production.
Read MoreThe MCU comes calling once again for Episode 122 of the podcast, as Chris and Alex navigate the complex web of storylines and superheroes that build the world of Spider-Man: No Way Home (Jon Watts, 2021). Joining them to reflect on the genre’s enduring appeal alongside the contemporary pleasures of Hollywood’s increasing multiversal madness is Dr Nick Jones, who is Senior Lecturer in Film, Television and Digital Culture at the University of York.
Read MoreNo sooner have Chris and Alex finished their examination of Harry Potter and the Chamber of Secrets (Chris Columbus, 2002) than they make a swift return to Hogwarts for the third (and best?) in the franchise, Harry Potter and the Prisoner of Azkaban (Alfonso Cuarón, 2004). Joining them in this instalment to separate their Leaky Cauldrons from their Time-Turners is very special guest Rhianna Dhillon, Film/TV critic and Presenter who has featured on BBC Radio One, Front Row, Sky News, and Channel 5, and is currently the film critic for BBC6Music and Radio 5 Live as well as regularly appearing on Kermode and Mayo's Take.
Read MoreBased on Elizabeth Goudge’s 1992 children’s story Little White Horse, the 2008 fantasy The Secret of Moonacre (Gábor Csupó, 2008) is the subject of Episode 96 of the podcast, with Chris and Alex joined in their discussion of morality, class, and the power of the ego by the film’s screenwriter and Associate Producer Lucy Shuttleworth, who is also Senior Lecturer in the School of Film, Media and Communication at the University of Portsmouth.
Read MoreFor the 2021 Christmas special episode of the podcast, Chris and Alex turn to the short Mickey’s Christmas Carol (Burny Mattinson, 1983), the Walt Disney Studio’s cel-animated retelling of the Charles Dickens masterpiece directed and produced by longtime Disney storyboard artist Burny Mattinson. Joining them to discuss Disney’s cultural relationship to Christmas and its longstanding history of festive-themed productions starring its most beloved characters is Dr Amy M. Davis, Lecturer in Film Studies at the University of Hull.
Read MoreThe 2002 Disney science-fiction epic Treasure Planet (Ron Clements & John Musker, 2002) is the focus of Episode 78 of the podcast, which looks at the melding together of the Disney formula with space fantasy in this swashbuckling adaptation of Robert Louis Stevenson’s 1883 adventure novel Treasure Island. Joining Chris and Alex for this bumper episode are two very special guests: Ron Clements and John Musker, who aside from writing and directorial duties on Treasure Planet are known as a filmmaking duo absolutely central to the renaissance of Disney animation in the 1980s and 1990s.
Read MoreEpisode 68 marks Chris and Alex’s first look at popular animation studio DreamWorks, turning to the California-based company’s early cycle of cel-animated cartoons to examine The Prince of Egypt (Brenda Chapman, Steve Hickner & Simon Wells, 1998). Joining them to separate the historical realism from the packaged Westernised fantasy is biblical scholar and broadcaster Francesca Stavrakopoulou, Professor of Hebrew Bible and Ancient Religion at the University of Exeter, whose research encompasses ancient Israelite and Judahite religions, and portrayals of the religious past in the Hebrew Bible.
Read MoreHeffalumps and Woozles take centre stage for Episode 60 of the podcast, as Chris and Alex take a trip deep into Hundred Acre Wood to confront Christopher Robin (Marc Forster, 2018) (not to be confused with the earlier A.A. Milne biography Goodbye Christopher Robin [Simon Curtis, 2017]…), and its pleasures of nostalgia.
Read MoreIn an alternate 1985, Chris and Alex sit down to watch the recent comic book feature film Watchmen (Zach Snyder, 2009), a neo-noir/superhero blockbuster that adapts the popular DC Comics series for the big screen. They are joined in this Cold War-era tale of Soviet Union-United States relations by Dr Drew Morton, Associate Professor of Mass Communication at Texas A&M University, Texarkana, and author of Panel to the Screen: Style, American Film, and Comic Books During the Blockbuster Era (University Press of Mississippi, 2016), as well as a number of articles and chapters on motion comics, media convergence and comic book adaptation.
Read MoreFor the first in a special series of listener selections, Episode 52 has Chris and Alex get to grips with Persepolis (Vincent Paronnaud & Marjane Satrapi, 2007), taking inspiration from social media suggestions that were submitted around the broader theme of diversity and inclusion. Adapted from Marjane Satrapi’s own autobiographical graphic novels Persepolis and Persepolis 2 (originally published in November 2000), Persepolis provides a stark - and often humorous - depiction of national trauma told through Marji’s own experience as she navigates the Iranian Revolution and overthrow of the Shah regime and Pahlavi dynasty; is exiled to Austria, before returning to Iran where she marries (and divorces); and climaxes with her arrival into France.
Read MoreFor Episode 46, Chris and Alex take a magic carpet ride through the pleasures and problems of the recent musical fantasy Aladdin (Guy Ritchie, 2019). Joining them for a discussion of exactly how (and indeed if) it adapts Disney’s highly successful 1992 cel-animated musical is the film’s VFX Editor Myles Robey, whose work also includes the Harry Potter franchise and feature films Skyfall, Muppets Most Wanted, Fantastic Beasts and Where to Find Them, and the recent 1917.
Read MoreBless my soul, we are definitely on a roll with Episode 45 of the Fantasy/Animation podcast, which continues the Disney Renaissance theme in its take on Hercules (Ron Clements & John Musker, 1997). To make sense of the visual culture of antiquity manifest in Disney’s cel-animated musical fantasy and its adaptation of Greek myth, Chris and Alex are joined by Edith Hall, Professor of Classics at King’s College London and a specialist in ancient Greek literature and cultural history.
Read MoreEpisode 27 has Chris and Alex swinging their way into a superhero-filled multiverse to discuss the narrative strategies and visual dynamism of Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey and Rodney Rothman, 2018), the highly-successful computer-animated feature film from Sony Pictures Animation. Caught in the fantasy/animation web for this latest instalment is Simran Hans, film critic and culture writer whose work has appeared in The Observer, The Guardian, Buzzfeed, Dazed, The Fader and Sight & Sound.
Read MoreFor episode 26, Chris and Alex are joined by special guest Barry J.C. Purves, renowned stop-motion animator, director and screenwriter who is also the author of Stop Motion: Passion, Process and Performance (Burlington, MA: Focal Press, 2007). The focus of their conversation is the monster epic King Kong (Peter Jackson, 2005), the digital VFX-heavy remake of the original 1933 film of the same name, and a film upon which Barry himself worked as part of the animation department.
Read MoreVenturing to Middle-earth, and ably accompanied on this opening stage of their podcasting quest by Shaun Gunner, chairman of the Tolkien Society, Chris and Alex discuss the first of Peter Jackson’s Lord of the Rings adaptations, The Fellowship of the Ring (2001). Journeying from the Shire on the way to Mount Doom, episode 25 debates Tolkien’s ability to craft believable genealogies and histories in his high fantasy realms; cartography, map-making and the geographical consistency of fictional worlds; and the film’s relationship to post-millennial Hollywood franchises via technological developments in digital visual effects.
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