“The show prides itself on being the podcasting world’s number one authority on all things sculptured, painted, drawn and designed within the world of popular entertainment. This podcast delivers on its promise in spades. Not only is it well produced, the sheer level of expertise on offer is unrivalled. ”
As featured on Feedspot’s Top 10 “Best Animation History Podcasts”!
This year’s Halloween special of the podcast goes back to 1930s Hollywood with this look at Bride of Frankenstein (James Whale, 1935), the follow-up to Universal Pictures’ 1931 feature Frankenstein also directed by James Whale. To discuss the horror and humour of this most monstrous and macabre sequel, Chris and Alex are joined by special guest David Sandner, author and editor of multiple works on fantasy literature and a Professor at California State University.
Read MoreAnother trip through the Fantasy/Animation archive lands on this very early episode from February 2019 that focuses on Studio Ghibli’s My Neighbor Totoro (Hayao Miyazaki, 1988).
Read MoreChris and Alex welcomed Oscar-winning visual effects artist Andrew Whitehurst to the Fantasy/Animation podcast back in November 2019 for this reflection on the posthumanism of science-fiction parable Ex Machina (Alex Garland, 2014). Andrew kindly spoke with us about his role as Visual Effects Supervisor on the film (for which he received an Academy Award for Best Visual Effects in 2015), and navigated through Ex Machina’s technologised construction of bodies and the hybrid performance of humanoid robot Ava.
Read MoreThe Fantasy/Animation podcast is soon to break for the summer, but not before a few more episodes to round off the series - this time, it is the “Arabian fantasy” The Thief of Bagdad (Michael Powell, Ludwig Berger & Tim Whelan, 1940) that provides the focus for Episode 142, as Chris and Alex try to make sense of its story and style drawn from the “One Thousand and One Nights” collection of Middle Eastern folktales and its reproduction of Orientialist imaginaries and iconographies.
Read MoreEpisode 141 returns to the contemporary era of Disney Feature Animation with this discussion of the computer-animated musical blockbuster Frozen (Chris Buck & Jennifer Lee, 2013), a fairytale film of female empowerment that is widely credited with ushering in Disney’s Third Golden Age of animated features after the ‘Classic’ Disney period and earlier Disney Renaissance. The special guest for this instalment is Dr Eve Benhamou, teaching fellow in Film Studies at the University Paul-Valéry Montpellier 3, France who has previously taught at the Bristol School of Animation and Swansea University.
Read MoreTo celebrate Disney’s computer-animated film musical Wish (Chris Buck & Fawn Veerasunthorn, 2023) and the company’s recent centenary year, Chris and Alex are joined by Dr Robyn Muir, Lecturer in Media and Communication in the Department of Sociology at the University of Surrey.
Read MoreChris and Alex continue their journey through the world of Harry Potter for Episode 128 of the podcast, looking at the fourth instalment Harry Potter and the Goblet of Fire (Mike Newell, 2005) accompanied by special guest Dr Taylor Driggers. Taylor is an academic researcher specialising in fantasy literature, theology and religious studies, gender, and sexuality, whose PhD in English Literature from the University of Glasgow focused on fantasy literature’s potential to offer queer and feminist re-visionings of Christian theology and religious practices.
Read MoreEpisode 108 returns Chris and Alex once more to the world of Japanese anime as they look at the images of displacement, gluttony, and labour in Spirited Away (Hayao Miyazaki, 2001), perhaps the flagship Studio Ghibli animated feature and a film that won the 2003 Academy Award for Best Animated Feature.
Read MoreEpisode 99 is a special instalment of the podcast recorded live at the British Film Institute in London back in May 2022, with Chris and Alex joined by an audience of anime fans to discuss Your Name (Makoto Shinkai, 2016) as part of the BFI’s Anime season.
Read MoreChris and Alex venture (back?) into the multiverse in this entirely unplanned episode on Doctor Strange in the Multiverse of Madness (Sam Raimi, 2022), prompted by both a last-minute cinema trip and a desire to check-in once more with what’s happening in the Marvel Cinematic Universe.
Read MoreEpisode 97 of the podcast takes on the intergalactic conflicts and rebel alliances of Rogue One (Gareth Edwards, 2016), an anthology feature film and prequel to Star Wars (George Lucas, 1977) that tells the origin story of the ‘Rogue One’ starfighter squadron and the creation of the Death Star. Special guest for this episode is Dr Jonathan Wroot, who is Senior Lecturer and Programme Leader for Film Studies at the University of Greenwich.
Read MoreChris and Alex finally talk about Bruno (among other things) in this latest episode of the podcast, turning to the fantasy and family of Encanto (Byron Howard & Jared Bush, 2021), Disney Feature Animation’s computer-animated musical that tells the story of the magical Madrigal family via protagonist Mirabel, ably supported by lush visuals, colourful abstractions, and Lin-Manuel Miranda’s score inspired by the vallenato, cumbia, bambuco and rock en español genres. Joining them for Episode 94 is Dolores Tierney, Professor of Film at the University of Sussex and an expert in the aesthetics and politics of transnational imaging practices between Latin America, the U.S. and Spain.
Read MoreThe names Bond…James Bond in Episodes 61 and 62, as Chris and Alex tackle the official Eon James Bond 007 film series by casting their eyes over a longstanding staple of the franchise - the celebrated credits sequences. Beginning with Dr. No (Terence Young, 1962) and culminating in Spectre (Sam Mendes, 2015), listen as they place in rank order their ‘Top 24’ title sequences, judging their audiovisual spectacle, structural elements and broader connections to traditions in animated fantasy (Part 1 focuses on Bond films #24 to #13, while Part 2 counts down from #12 to their #1 ranked 007 title sequence). Joining them for this extended double-header is Dr Ed Lamberti, an independent researcher in Film Studies who has been a teaching assistant at King's College London, a screenwriting mentor at the London Film School, and who is currently Policy Manager at the British Board of Film Classification (BBFC).
Read MoreBeginning the New Year in a galaxy far, far away, Chris and Alex turn for the first time to the seminal Star Wars franchise for their latest episode, this time revisiting the first in the latest sequel trilogy Star Wars: The Force Awakens (J.J. Abrams, 2015). Joining them for this journey through this epic space fantasy is Dr Becca Harrison, Lecturer in the Theatre, Film & Television Studies department at the University of Glasgow. Becca has written extensively on Star Wars for both the BFI and The Conversation, and is also the author of two upcoming books on the Star Wars franchise.
Read MoreEpisode 30 marks a return to the work of both Studio Ghibli and filmmaker Hayao Miyazaki, as Chris and Alex build on their discussion of My Neighbor Totoro with a journey to Laputa: Castle in the Sky (Hayao Miyazaki, 1986), an animated fantasy that follows the magical Sheeta and companion Pazu from a mining community of Japan up into the skies thanks to the floating powers of a mythical crystal. To discuss this early Ghibli feature, they are joined by Dr Robert Maslen, Senior Lecturer in English Literature (University of Glasgow) and founder of the MLitt English Literature: Fantasy, the first graduate programme in the world specifically dedicated to the study of fantasy and the fantastic.
Read MoreFor the 10th episode, Chris and Alex travel to Polynesia to tackle their first computer-animated film - Walt Disney’s all-singin’, all-dancin’ and all-digital musical Moana (Ron Clements & John Musker, 2016). They are joined by Dr Catherine Wheatley (Senior Lecturer in Film Studies at King’s College London) to discuss the film’s gender politics and feminist register; its beautiful Samoan and Tokelauan-language soundtrack (with songs written and composed by Opetaia Foa’i, Lin-Manuel Miranda and Mark Mancina); its ambivalent status as typical Disney fare; and the ‘tiny details’ that comprise its message of diplomacy and female empowerment.
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