IMAGINATION — all episodes — Fantasy/Animation

Episode 83 - By the Time It Gets Dark (Anocha Suwichakornpong, 2016) (with Felicity Gee)

Episode 83 sees Chris and Alex trace the magical realist threads and overlapping timelines that build Anocha Suwichakornpong’s often confounding drama By the Time It Gets Dark (2016) (known in Thai as Dao Khanong), replete with its shifting realities, fleeting digital VFX and a pivotal citation of the ‘father of fantasy’ (as well as one of cinema’s first animators) Georges Méliès. Joining them to discuss Suwichakornpong’s mesmerising, kaleidoscopic, and highly original second feature film that dramatises the events of the 1976 Thammasat University massacre is Dr Felicity Gee, Senior Lecturer in Modernism and World Cinema at the University of Exeter, and author of the recent Magic Realism, World Cinema and the Avant-Garde (London: Routledge 2021).

PODCASTChristopher Holliday and Alexander SergeantSeptember 27, 2021MAGIC, IMAGINATION, WORLD CINEMA, VISUAL EFFECTS, NARRATIVE, SURREALISMComment

Episode 81 - Sub-Saharan African Animation (1966-2013) (with Paula Callus)

Episode 81 of the podcast provides an introductory survey of Sub-Saharan African animation, as Chris and Alex plot a pathway through a cross-section of animated fantasies covering a multitude of forms, styles and modes from a number of African countries and territories. Joining them is Dr Paula Callus, Associate Professor in Computer Animation at Bournemouth University and an expert in Sub-Saharan African animation, who has also worked as a consultant and educator on the UNESCO Africa Animated projects in Kenya and South Africa, and who has been involved in projects looking at marginalization and the use of digital technologies (with a focus upon Arts, Activism and Marginalization in Nairobi).

Episode 60 - Christopher Robin (Marc Forster, 2018)

Heffalumps and Woozles take centre stage for Episode 60 of the podcast, as Chris and Alex take a trip deep into Hundred Acre Wood to confront Christopher Robin (Marc Forster, 2018) (not to be confused with the earlier A.A. Milne biography Goodbye Christopher Robin [Simon Curtis, 2017]…), and its pleasures of nostalgia.