Based on a book of the same name by Cressida Cowell, How to Train Your Dragon (Dean DeBlois, 2010) was influential on family audiences, and especially children, when it was released in March 2010, with a unique story about a misfit teenage Viking named Hiccup, discovering his sense of self as he ascends to adulthood. We follow Hiccup on his journey of self-discovery and self-acceptance, and, in the end, he gains the trust and admiration of his peers and the surrounding society.
Read MoreJudging from both the pre-release marketing materials and industry narratives that have surrounded both Mission: Impossible – Dead Reckoning Part One (Christopher McQuarrie, 2023) and Oppenheimer (Christopher Nolan, 2023), one would be forgiven for thinking that Hollywood still retains something of an aversion to digital VFX.
Read MoreRecently returned Disney CEO Bob Iger – reappointed to the company following the abrupt dismissal of his successor, Bob Chapek in November 2022 – confirmed late last week that the celebrated animation studio would be producing a slate of sequels to three of its blockbuster films. News of Zootopia 2 within Disney’s upcoming roster of features was a welcome, if not entirely unexpected, surprise given both the box office success of the 2016 original (the film took $1.02 billion and won the Oscar for Best Animated Feature) and the recent arrival of spin-off web television series Zootopia+ (Trent Correy & Josie Trinidad 2022), which premiered on Disney+ the same month as Chapek’s acrimonious exit.
Read MoreThe great Sam Neill’s character Alan Grant in Jurassic Park III (Joe Johnston, 2001) once said, “some of the worst things imaginable have been done with the best intentions.”
Read MoreCommenting on the fan/ critic division of Star Wars Episode IV: A New Hope (George Lucas, 1977), Todd Berliner (2017) observes that: The original Star Wars (1977) has become one of the most widely and intensely loved movies of all time. Film scholars, however, lambasted Star Wars for its simplicity. Peter Lev calls it one of the “simple, optimistic genre films in the late 1970s.” David Cook says it privileges “a juvenile mythos.” Jonathan Rosenbaum calls the movie mostly “fireworks and pinball machines,” a deliberately silly film that offers only “narcissistic pleasures.”
Read MoreBefore Frozen II (Chris Buck & Jennifer Lee, 2019), if you had have asked me what my fantasy ideal Frozen sequel looks like I would have probably answered that there be no sequel at all. Frozen is, to me, practically perfect. Any attempt at continuation could only be disappointing. However, Frozen Fever (Chris Buck & Jennifer Lee, 2015), the short film that accompanied the release of Disney’s live-action remake of Cinderella (Kenneth Branagh, 2015) is an ideal compromise.
Read MoreNow that the proverbial dust has settled on Avengers: Endgame (Anthony Russo & Joe Russo, 2019), the fallout from the almost-three hour epic can well and truly begin. To immediately follow a film that is, to date, the highest-grossing film of 2019 and now the second-highest of all time (behind, of course, Avatar [James Cameron, 2009]) was always a tricky, if not borderline impossible, act. Yet coming a mere three months after Endgame and just two years (and six films) after Spider-Man: Homecoming (Jon Watts, 2017), the next instalment Spider-Man: Far From Home (Jon Watts, 2019) does a more than admirable job of taking up the reins left slack in a post-Endgame world.
Read MoreSince Toy Story (John Lasseter, 1995) hit cinema screens worldwide in November 1995, audiences have witnessed a series of dramatic changes within the animated medium, particularly in Hollywood. Having signed a contract with Pixar Animation Studios in 1991, Disney were initially hesitant to give the very first computer-animated film about a collection of toys the same commercial backing as their traditional cel-animated features. Until, that is, they saw the toys come to life.
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