“The show prides itself on being the podcasting world’s number one authority on all things sculptured, painted, drawn and designed within the world of popular entertainment. This podcast delivers on its promise in spades. Not only is it well produced, the sheer level of expertise on offer is unrivalled. ”
As featured on Feedspot’s Top 10 “Best Animation History Podcasts”!
Professor Yvonne Tasker is the very special guest for Episode 140 of the podcast, joining Chris and Alex for this discussion of action spectacle and the gendered body in science-fiction sequel Terminator 2: Judgment Day (James Cameron, 1991).
Read MoreEpisode 73 reaches deep into the science, spaces and squids of Arrival (Denis Villeneuve, 2016), the recent science-fiction feature starring Amy Adams and Jeremy Renner, and based on Ted Chiang’s 1998 short story “Story of Your Life.” Joining Chris and Alex to discuss this atmospheric subversion of the sci-fi genre is Dr William Brown, Independent Scholar and Honorary Fellow at the University of Roehampton whose research expertise focuses on contemporary digital and new media, posthumanism, critical race theory, and film-philosophy.
Read MoreEpisode 34 sees Chris and Alex focusing on the pleasures, politics and posthumanism of science-fiction parable Ex Machina (Alex Garland, 2014). To help untangle the circuitry of Garland’s film, they are joined by Academy Award-winning visual effects artist Andrew Whitehurst. Andrew is currently the Creative Director and VFX Supervisor at the Double Negative (DNEG) studio in London, with credits that include Troy (Oliver Stone, 2004), Harry Potter and the Order of the Phoenix (David Yates, 2007), Scott Pilgrim vs. the World (Edgar Wright, 2010), Skyfall (Sam Mendes, 2012), Paddington (Paul King, 2014), and Annihilation (Alex Garland, 2018). In this latest episode, Andrew talks about his role as Visual Effects Supervisor on Ex Machina, a film for which he received an Academy Award for Best Visual Effects in 2015.
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