Episode 83 sees Chris and Alex trace the magical realist threads and overlapping timelines that build Anocha Suwichakornpong’s often confounding drama By the Time It Gets Dark (2016) (known in Thai as Dao Khanong), replete with its shifting realities, fleeting digital VFX and a pivotal citation of the ‘father of fantasy’ (as well as one of cinema’s first animators) Georges Méliès. Joining them to discuss Suwichakornpong’s mesmerising, kaleidoscopic, and highly original second feature film that dramatises the events of the 1976 Thammasat University massacre is Dr Felicity Gee, Senior Lecturer in Modernism and World Cinema at the University of Exeter, and author of the recent Magic Realism, World Cinema and the Avant-Garde (London: Routledge 2021).
Read MoreEpisode 53 journeys into the irregular and twisting world of Spanish fantasy cinema, with Chris and Alex joined in their discussion of Pan’s Labyrinth (Guillermo del Toro, 2006) by Deborah Shaw, Professor of Film and Screen Studies at the University of Portsmouth, and a specialist in Latin American cinema whose publications include The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (Manchester University Press, 2013), as well as the edited collections The Transnational Fantasies of Guillermo del Toro (Palgrave Macmillan, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (I. B. Tauris, 2017).
Read MoreVoted for by the Fantasy/Animation community on social media as the inaugural #feelgoodfananim, Episode 44 of the podcast looks at the Walt Disney studio’s cel-animated feature The Emperor's New Groove (Mark Dindal, 2000). Chris and Alex are also joined by their very first returning guest, award-winning animator Astrid Goldsmith (a.k.a. Mock Duck Studios), to discuss the troubled production history, buddy narrative and anarchic comic structures of a film that marked a seismic formal shift in the familiar Disney style. Or did it?
Read MoreWith its last episode recently broadcast on Netflix, the web television series BoJack Horseman (Raphael Bob-Waksberg, 2014-2020) provides a timely and topical subject for Episode 40. Join Chris and Alex as they take a canter through the programme’s status as ‘adult animation’ (and what this term might mean as a label); the dark truth of its themes of narcissism, depression and self-destructive behaviour; how its shifting chronology and narrative ellipses places BoJack Horseman within contemporary Hollywood ‘puzzle film’ storytelling traditions; its complex anthropomorphic register and cartoonal forms of representation; and how BoJack Horseman’s ensemble cast navigates modes of cross-species sexuality at the same time as it collectively disavows any presence of a concrete moral centre.
Read MoreIn episode seven, Chris and Alex encounter ferocious bicycle wheels, music hall stars fishing for frogs using dynamite, and the French mafia in their discussion of the frankly bizarre animated fantasy The Triplets of Belleville (Sylvain Chomet, 2003). With minimal dialogue and an expressionist, borderline surreal visual style, Chomet’s film - released in the UK as Belleville Rendezvous - is erratic, eccentric and downright charming.
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