Quantum LOGOS (vision serpent) is an immersive reactive film that uses Mesoamerican culture as inspiration for design ideas that explore the basics of quantum mechanics. This project uses abstract animated imagery to metaphorically represent the quantum world. I use this approach because of the parallels that are evident between Mesoamerican art and philosophy and the quantum mechanics vision of the nature of reality.
Read MoreThe Covid19 pandemic is not just about a virus; it is a social, economic and cultural phenomenon. The impact that it is making across the globe is severe, and the role of (perhaps even the need for) fantasy during this changing and hyperdigitalized world is more necessary than ever given the important questions being raised about the nature of our cultural consumption.
Read MoreSince emerging onto the Animation Studies scene five years ago, the Animation and Public Engagement Symposium (APES) has been held annually in different locations across the UK. But for the first time in 2019, APES went international, hosted by Jorgelina Orfila and Francisco Ortega at Texas Tech University, Lubbock between September 19th-21st.
Read MoreSurprisingly only in its fourth full year since its inauguration as part of the Bradford Animation Festival in 2014, the annual Animation and Public Engagement Symposium is swiftly becoming a staple of the animation studies calendar. Wonderfully co-ordinated by Loughborough University's Melanie Hani and Roberta Bernabei, this year’s event was held at the imposing Beaumanor Hall, Woodhouse, Leicestershire, UK, and offered a vital glimpse into the impressive and wide-ranging work that is enveloping animation practices across a multitude of disciplines and intellectual fields.
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