From the invention of Plasticine by William Harbutt in Britain in 1897 to the use of malleable materials in the earliest stop-motion ‘trick films’ of Edwin S. Porter, J. Stuart Blackton, and the Fleischer Brothers, the application of clay in animation has a history as long as the medium itself.
Read MoreIn Footnote #4, Chris and Alex unpack the uncanny spectacle and affecting effects of stop-motion animation, from understanding the hands-on labour that crafts its illusions of life to the oneiric ‘stopped-motion’ worlds of Ladislas Starevich, Willis O’Brien, Ray Harryhausen, Jan Švankmajer and the Quay Brothers.
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