Posts in FOOTNOTE PODCAST
Footnote #52 - Rhetorics of Fantasy

The Fantasy/Animation Footnotes continue with this latest examination of the many ‘rhetorics’ of fantasy that accounts for the mechanics by which fantasy writers can and do achieve their fantastical effects. Drawn from Farah Mendlesohn’s influential work on fantasy literature Rhetorics of Fantasy (2008), this Footnote has Alex reflect on the categorisation of fantasy and the value of Mendlesohn’s self-declared “tour around the skeletons and exoskeletons of the genre” to distinguish and divide kinds of storytelling practices.

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Footnote #51 - Cinema and the City

The Fantasy/Animation Footnotes return with this consideration of the many relationships that cinema can have with - and to - the city. Building on their recent episode on Ratatouille (Brad Bird, 2007), Chris and Alex reflect on those scholars who have placed cinema in dialogue with issues related to space, urban design, and sociology, and who ask questions about how a city is represented onscreen, how its spaces are organised and mapped, and the stakes of re-animating a ‘real’ space to transform an otherwise authentic and accessible locale.

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Footnote #50 - Postfeminism (with Eve Benhamou)

The Fantasy/Animation Footnotes reach their half-century as Chris and Alex are once again joined by Dr Eve Benhamou, teaching fellow in Film Studies at the University Paul-Valéry Montpellier 3, France to examine the contradictory cultural and political space of postfeminism. A much-debated topic, postfeminism typically pivots on gendered discourses of agency, autonomy, potency, and physical empowerment.

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Footnote #47 - Aura

Art’s relationship to the auratic is the focus of Footnote #47, which engages cinema’s historical relation to ‘aura’ via the foundational work of Walter Benjamin who argued for technology’s “withering” of art’s uniqueness of space and time thanks to the potential for the creation of a “plurality of copies” that shift art’s “unique existence.”

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Footnote #44 - Hanna-Barbera (with Jared Bahir Browsh)

A deep dive into the U.S. animation studio Hanna-Barbera provides the focus of Footnote #44, as Chris and Alex are once again joined by Dr Jared Bahir Browsh to discuss the origins of William Hanna and Joseph Barbera’s influential and prolific production company that strengthened the cartoon’s move from theatrical exhibition to television.

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Footnote #43 - Disney Princesses (with Robyn Muir)

Fresh from their discussion of Wish (Chris Buck & Fawn Veerasunthorn, 2023), Chris and Alex are once again joined by Dr Robyn Muir, Lecturer in Media and Communication (University of Surrey), author of The Disney Princess Phenomenon: A Feminist Analysis (2023), and founder and director of the Disney, Culture and Society Research Network to discuss the historical and cultural power of Disney princesses, a phenomenon that traverses films, merchandise, and several ancillary media.

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Footnote #36 - Horror Cinema (with Stacey Abbott)

What is horror cinema, and where did it come from? What are its unsettling spectatorial effects and uncomfortable provocations? What codes and conventions define its big screen history, and at which points does it splinter into slasher sub-genres and monstrous cycles? What role does the gothic and supernatural play in its generic construction? And how does the body as both threat and as threatened play into horror’s fascination with the impacts of difference and otherness?

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Footnote #35 - Twice Told Tales

Chris and Alex return to the Footnote format for this latest episode on “twice told tales” - a term that, following its Shakespearean origins, has been applied by writers of fantasy to refer to fantasy’s relationship to oral literature and fairytales. Topics include the fairytale’s codification of oral culture; legacies of literary structures and the power of (re)telling the beats of a story; shifting narrative templates and the act of adding one story ‘on top’ of another; and the spectatorial pleasure of receiving the fantasy of twice told creativity.

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Footnote #33 - Can Colour Blind People Work in VFX? (with Chris McKenna)

Special guest Chris McKenna, current Head of Creative Operations at the VFX studio Moving Picture Company, joins Chris and Alex for this latest Footnote episode on the VFX industry, with a particular focus on artists with colour blindness and advice on the best avenues for getting into animation lighting and design.

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