If the narrative of Soul sounds complex, that’s because it is. In a similar vein to Pixar’s Inside Out (Pete Docter, 2015), which explores the abstract concepts of emotions (and, specifically, emotional development) through animation, Soul explores existentialism and the many manifestations of what having a soul can really mean, as well as how these connect to the idea of our lives having a specific “purpose” that we were born to fulfil.
Read MoreThe fantasy genre has deep connections with medieval and pre-medieval iconography. J.R. Tolkien, an Oxford professor of Anglo-Saxon literature and English literature and language, is often credited as being the father of modern fantasy (also called “high fantasy”). His novels, The Hobbit (1954) and The Lord of the Rings (1954- 1955), set the stage for later mid-century fantasy works such as Peter S. Beagle’s The Last Unicorn (1968). Both Tolkien and Beagle included elements found in pre-medieval and medieval iconography, from the dragon Smaug in The Hobbit to the creatures in Mommy Fortuna’s Midnight Carnival from The Last Unicorn, which included a satyr, a manticore, a Midgard serpent and a harpy.
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