Episode 57 - Rango (Gore Verbinski, 2011) (with Neil Brand)
The Fantasy/Animation podcast takes listeners on a journey through the intersection between fantasy cinema and the medium of animation. Available via Apple Podcasts, Spotify and many of your favourite podcast hosting platforms!
Performer, composer, silent film accompanist and television presenter Neil Brand is the special guest joining Chris and Alex for Episode 57 of the podcast, which celebrates the musical beats and Mariachi owls of Rango (Gore Verbinski, 2011). Listen as they discuss how this curious 2011 computer-animated film revels in the power of telling tales alongside its broader relationship to folk ballads; Rango’s cinephilic evocation of canonical Hollywood Westerns and U.S. cinema history; themes of ambition, isolation, and aimlessness, and how this ties into a film whose existentialist narrative is predicated on the question of inevitability; Rango’s musical score that functions as a bridge between landscape and character; and what Gore Verbinski’s film tells us about what audiences might want from contemporary fantasy/animation (namely highly sophisticated anarchy rather than structures that organise, and a fantasy better realised onscreen that we can ever imagine!).
Suggested Readings
Camus, Albert. 1955 [1942]. The Myth of Sisyphus. Trans. Justin O’Brien, New York: Alfred A. Knopf, Inc.
Campbell, Joseph. 1949. The Hero with a Thousand Faces (New York: Pantheon Books.
Holliday, Christopher. 2018. The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press.
Ward, Paul. 2000. “Defining ‘Animation’: The Animated Film and the Emergence of the Film Bill.” Scope: An Online Journal of Film Studies, available at: https://www.nottingham.ac.uk/scope/documents/2000/december-2000/ward.pdf.