In his review of the latest in the Marvel-backed behemoths to embark upon an all-out assault against our eardrums, wallets and box office records, BBC Radio Five Live and Observer film critic Mark Kermode described Avengers: Infinity War (The Russo Brothers, 2018) as a having a fundamental problem stemming from a “fundamental lack of consequence”. This, from a movie that takes place across multiple galaxies, deals with a villain hell bent on wiping out half the universe’s population and, in the process of doing so, leaves a trail of destruction across planets, kingdoms and franchises. The culmination of a story arc ten years in the making, Avengers: Infinity War is a move with cross-franchise implications that demands a seemingly galactic level of prior narrative investment for audiences to even understand the opening reel.
Read MoreSurprisingly only in its fourth full year since its inauguration as part of the Bradford Animation Festival in 2014, the annual Animation and Public Engagement Symposium is swiftly becoming a staple of the animation studies calendar. Wonderfully co-ordinated by Loughborough University's Melanie Hani and Roberta Bernabei, this year’s event was held at the imposing Beaumanor Hall, Woodhouse, Leicestershire, UK, and offered a vital glimpse into the impressive and wide-ranging work that is enveloping animation practices across a multitude of disciplines and intellectual fields.
Read MoreWelcome to Fantasy/Animation! Co-founded by Christopher Holliday and Alexander Sergeant, Fantasy/Animation seeks to examine the relationship that exists between fantasy cinema and the medium of animation.
This network began as an edited collection Fantasy/Animation: Connections Between Media, Mediums and Genres (Routledge AFI Film Reader, 2018). As editors, we worked alongside a number of world-renowned film and media scholars to produce a collection that examined a range of animated fantasy media, from the avant-garde experimental animation of Bret Battey to HBO’s Game of Thrones.
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