current posts — Fantasy/Animation

Review: The Legacy of Watership Down: Animals, Adaptation, Animation

Animated fantasy film Watership Down (Martin Rosen,1978) represents something of a critical cultural conundrum that underwrites its complex status as a children’s feature. On the one hand, this hand-drawn fable - that follows a cross-countryside journey made by a colony of rabbits - represents the best of British animation, with an impressive voice cast (featuring John Hurt, Richard Briers, Simon Cadell and Nigel Hawthorne) giving life to a beautifully evocative cel-animated style that fully demonstrates the pre-digital artistry of paint-and-ink animation production. On the other hand lies its well-established identity as an emotionally traumatic experience, one that trades in themes of political uprising, Fascism and grief, all the while being scored to graphic images of blood, gore, and death.

EVENT REVIEWChristopher HollidayNovember 23, 2018CHILDREN, ANIMALS, ADAPTATION, FANTASY, BRITISH ANIMATIONComment

Review: Character as Character - Understanding and Appreciating People in Films

This one day Character as Character - Understanding and Appreciating People in Films symposium organised by Dominic Lash (University of Bristol) and Hoi Lun Law (Independent Scholar) took place on Saturday 13th October at the University of Bristol; drawing inspiration for its title from V.F. Perkins’ seminal Film as Film: Understanding and Judging Movies (1972 [1993]). Although the influence of Perkins was only fleetingly acknowledged, the symposium as a whole proved a great showcase for the close and attentive analysis of an otherwise neglected aspect of Film Studies.

EVENT REVIEWMatt DennyOctober 19, 2018FANTASY, CHARACTER, FAIRYTALEComment

Review: Film as Film Today - On the Criticism and Theory of V. F. Perkins

A wealth of staff and students both past and present came together across two days at the University of Warwick to celebrate and reflect upon the work of V. F. Perkins (1936-2016). It was Perkins’ immeasurable contribution to Film Studies and his writing on popular cinema that would come to form the basis of the superlative Film as Film Today: On the Criticism and Theory of V. F. Perkins conference co-organised with due fondness and feeling by James MacDowell (University of Warwick) and Andrew Klevan (University of Oxford).

EVENT REVIEWChristopher HollidaySeptember 14, 2018FANTASY, FICTIONAL WORLDS, FILM THEORYComment

Review: Society for Animation Studies (SAS) - 30th Annual Conference

Within the limited space afforded here, it is impossible to do justice to the full scope (and, indeed, the many successes) of the recent Society for Animation Studies (SAS) conference, this year held at Concordia University between 19th–22nd June. Co-chairs Alison Reiko Loader and Marc Steinberg – as well as the rest of the wonderful Concordia team – deserve special mention for putting together a truly dizzying array of international speakers, animation workshops and screenings (including a climactic showing of the emotive Eleven Moving Moments with Evelyn Lambart by Donald McWilliams).

EVENT REVIEWChristopher HollidayJune 29, 2018FANTASY, ANIMATION, HISTORY, THEORYComment

Review: Animation and Public Engagement Symposium (APES) 2018

Surprisingly only in its fourth full year since its inauguration as part of the Bradford Animation Festival in 2014, the annual Animation and Public Engagement Symposium is swiftly becoming a staple of the animation studies calendar. Wonderfully co-ordinated by Loughborough University's Melanie Hani and Roberta Bernabei, this year’s event was held at the imposing Beaumanor Hall, Woodhouse, Leicestershire, UK, and offered a vital glimpse into the impressive and wide-ranging work that is enveloping animation practices across a multitude of disciplines and intellectual fields.

EVENT REVIEWChristopher HollidayJune 1, 2018FANTASY, ANIMATION, EDUCATION, ENGAGEMENTComment