43 years after the publication of the first edition of Robert Russett and Cecile Starr’s seminal text Experimental Animation: An Illustrated Anthology, experimental animation seems to be finally experiencing a very welcome surge of public interest and critical attention. Over the last few years there has been a rise in the number of screenings, performances and academic publications related to the multifarious art form, including the recent edited collection Experimental and Expanded Animation: New Perspectives and Practices (2018).
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