Posts tagged LITERATURE
Reflecting futures in fantastic media: who do we think we can become?
Reflecting futures in fantastic media: who do we think we can become?

Children are frequently asked who or what they want to be when they grow up, and the possibilities can seem pretty endless. Racecar drivers and dolphin trainers, chefs, presidents, sometimes out and out supervillains – but also doctors and teachers, writers and artists. After my experience as a postdoctoral researcher with the European Research Council-funded research project Constructing Age for Young Readers (CAFYR) at the University of Antwerp, I have spent a lot of time wondering what we might hear if we were asked those same questions again while in our thirties, or even our forties. Who would we want to become? Who are we shown as inspiration for who we might be able to become?

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EDITORIALMichelle Anya AnjirbagLITERATURE, CHILDHOOD, GENDERComment
Review: Matthew Oliver, Magic Words, Magic Worlds: Form and Style in Epic Fantasy (2022)
Review: Matthew Oliver, Magic Words, Magic Worlds: Form and Style in Epic Fantasy (2022)

The overall argument of Matthew Oliver’s Magic Words, Magic Worlds (2022) is that the style of epic fantasy shapes readers’ experiences in what he broadly calls “political ways” (26). Politics here includes the identity positions that authors, readers and characters can take, and empathy is discussed as one of the prime mechanisms facilitating such political involvement.

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BOOK REVIEWMarinette GrimbeekLITERATURE, FANTASY, MAGIC, SCIENCE-FICTION, PARATEXTS Comments
Review: Hadas Elber-Aviram, Fairy Tales of London: British Urban Fantasy, 1840 to the Present (2021)
Review: Hadas Elber-Aviram, Fairy Tales of London: British Urban Fantasy, 1840 to the Present (2021)

In Fairy Tales of London, Hadas Elber-Aviram traces the way in which eight British authors combine London and the fantastic in various stories. Elver-Aviram argues that the fictions of Charles Dickens, H. G. Wells, George Orwell, Mervyn Peake, Michael Moorcock, M. John Harrison, Neil Gaiman, and China Miéville form a coherent, socially engaged, literary tradition that is intimately connected to modern urbanity.

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BOOK REVIEWStefan EkmanFAIRYTALE, LITERATURE, FANTASYComment
Review: Susan L. Austin (ed.), Arthurian Legend in the Twentieth and Twenty-first Centuries (2021)
Review: Susan L. Austin (ed.), Arthurian Legend in the Twentieth and Twenty-first Centuries (2021)

The very title of this new collection may leave experienced readers raising eyebrows. Arthuriana, after all, is a complex tradition with a long history of adaptation and remediation, so it might be difficult to imagine that a single book could cover two entire centuries of these practices and the texts they produce.

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BOOK REVIEWMaria AlbertoFANTASY, LITERATURE, HOLLYWOOD, ADAPTATION Comment
Review: Nathan Waddell (ed.), The Cambridge Companion to Nineteen Eighty-Four (2020)
Review: Nathan Waddell (ed.), The Cambridge Companion to Nineteen Eighty-Four (2020)

Nineteen Eighty-Four (1949) as a novel has taken on a life divorced from its creator. In political parlance, the book—or terms from it—have been used to herald apocalyptic prophecies, no matter the political affiliation. For example, recently in the United States, Senator Josh Hawley, R-MO, used the term “Orwellian” to describe a publishing house’s cancellation of a book contract.

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BOOK REVIEWAdam McLainLITERATURE, GEORGE ORWELL, POLITICALComment